Recording Artist • Vocal Coach • Performance Consultant
Typhanie is a performer, educator and recording artist whose four critically acclaimed, independently produced albums have captured the ears of Chicago Tribune jazz critic Howard Reich and thousands of dedicated fans. She has shared the stage with jazz’s elite, including Joe Lovano, Chris Potter,The Manhattan Transfer and Mavis Staples to name a few.
A bold, engaging performer with the ability to reach straight to the heart of her listeners, Typhanie has graced jazz’s most distinguished venues, including Chicago’s Jazz Showcase, The Green Mill, Old Town School of Folk Music and City Winery, The Sheldon Concert Hall in St. Louis, The Kitano and Small’s in NewYork,The Jazz Kitchen in Indianapolis, Dazzle in Denver, The Union of Composer’s Club in Moscow, Russia, Picasso in Kiev, Ukraine and The Dakota in Minneapolis. She has enthralled audiences and brought enthusiastic crowds to their feet at major outdoor festivals like the Chicago Jazz Festival, Vogue Design Festival in Moscow, Russia, SummerFest, Taste of Chicago, Isthmus Jazz Festival and Third Ward Jazz Festival.
Typhanie’s long-awaited solo album CALL IT MAGIC reflects her focused passion as a vocalist and her hard-won maturity as a human being. Envisioned as a conversation and a journey, the album pairs jazz and pop standards with originals penned by Typhanie in a call-and-response of hard-hitting emotion and thoughtful reflection. Over the course of 10 tracks,Typhanie reveals her vocal depth and versatility as she transports listeners down the rough roads of love, struggle, heartbreak, acceptance and rebirth. Featuring guest contributions from clarinetists Ken Peplowski and Victor Goines, B-3 organist Tony Monaco and tenor saxophonist Joel Frahm, CALL IT MAGIC was made with Grammy-recognized producer Jeff Levenson.
An in-demand educator and vocal coach, Monique served on the adjudication panel of the 2015 Thelonious Monk Vocal Jazz Competition. She has studied privately with legendary vocalists Bobby McFerrin, Shelia Jordan and the late Mark Murphy, and considers herself a lifelong student of the art of singing. An adjunct professor since 2012, Typhanie mentors the next generation in voice science, contemporary singing styles and techniques and artist development. A whole self approach to body, mind, spirit development.
“Monique has never lacked for stage presence or vocal audacity. ... One of these days, the rest of the world is going to discover her.” —Howard Reich, Chicago Tribune
“[Monique] brings a bright soprano voice to the stage with heartfelt passion and musi- cal accuracy. Her expressiveness indicates a rising star.” —Jim Santella, Cadence
“Typhanie Monique shows off her considerable chops in vintage and neosoul as well as jazz classics.” —Time Out Chicago
JazzTimes magazine describes vocalist Typhanie Monique as a “modern-day Sarah Vaughan with iridescent traces of Lena Horne.” Music lovers in her hometown of Chicago and throughout the Midwest know her as that region’s local favorite—warm, soulful and charismatic.
call it magic
Monique interprets a wide variety of intriguingly rearranged jazz and pop standards with agility and elegance.
Monique sizzles on “What Is This Thing Called Love?/ This Thing”…Her phrases undulate sensually around organist Tony Monaco’s resonant, dense chords.
“Called Love” has a spiritual feel as the introspective and somber Hammond B3 creates a haunting ambiance. The leader’s vocals, tinged with melancholy, soar over the earthy and uplifting organ soliloquy like a prayer.
Monique thrills with her sublime balance of spontaneity and maturity…Call It Magic is a new milestone in her brilliant career.
Hrayr Attarian, Chicago Jazz Magazine (see full review here)
Typhanie Monique is a no BS singer. Whether helping us to remember, or really hear for the first time, classic tracks from Cole Porter to Don Henley, Duke Ellington to Clyde Otis, Monique chooses to wear the tunes like a second skin. It also helps that the arrangements are brilliant, perfect both for her voice and the material.
Hobart Taylor, KUCI 88.9FM, University of California at Irvine (see full review here)
Typhanie Monique has built a significant résumé not only in jazz, but in soul and funk, and she brings it all together in her new release, “Call It Magic.”
Monique surrounds herself with an absolutely topflight crew of Chicago players, including Ben Lewis on piano, Joshua Ramos on keys, Victor Garcia on trumpet, Dana Hall on drums and cymbals, Tony Monaco on Hammond B-3 organ and many more. It’s an opulent outing, the equivalent of luxury casting in a big-budget film. But Monique has the charisma and artistry to keep the focus squarely on her uncanny instincts and peerless instrument.
A deep recording about the full range of emotions surrounding this thing called love. It's 10 songs carefully chosen and unfolded by a master vocalist and backed by an incredible ensemble. It’s packed with beauty and surprise, smiles and, yes, a few tears.
Here we have an artist in full and beautiful control of her voice and her vision...It’s music made with great thought, even more care and, yes, a little magic. That’s the artistry of Typhanie Monique.
Frank Alkyer, Publisher, DownBeat
Read more about Typhanie's Call it Magic in the liner notes by Frank Alkyer
The presence of strings and other vivid instrumentation makes "Call It Magic" the slickest work Monique ever has recorded.
…there's no questioning the nimbleness of Monique's silvery voice, nor the ardor of her delivery. All the songs deal with the subject of love in one way or another, and despite the range of musical languages and accompaniments, a palpable sense of yearning and a streak of melancholy hovers over this recording.
…Listeners will decide for themselves, but there's no doubt Monique has struck out on a new path.
Howard Reich, Chicago Tribune (see full review here)
"Call It Magic" shows Monique stretching out, not only in repertoire but in manner.
…the next major jazz vocalist coming out of Chicago.
… she whimsically invented lyrics, boldly sabotaged backbeats and freely constructed fast-flying phrases that defied predictability.
…she affirmed that not all of today's jazz singers are content to dwell on saccharine love songs. In an eclectic assortment of originals and covers, Monique applied top-notch jazz singing to poetic social commentary.
Howard Reich, Chicago Tribune Arts Critic
Monique's vocals morph from melody into improvisation and back again…
Ed Enright, Downbeat Magazine
Expected, and delivered: solid soul-jazz vocals from Monique that suggest both Sarah Vaughan and Minnie Riperton.
Chistopher Loudon,JazzTimes
Typhanie pours in the soul, a honey-voiced chanteuse. …words dissolve into scat that would make Ella smile.
Michael Sandow, Forest Park/River Forest Post
Typhanie's vocals are an array of bright colors painted on top of 10 beautiful instrumental landscapes.
Jose, KAOS Radio89.3FM
… powerful lead vocalist and songwriter… well-crafted songs never runs the risk of falling into mere cliché.
PeterQuinn, Jazzwise
Typhanie Monique’s lower registers get husky-the sound makes the song sound whole...Monique’s voice refuses to be typecast or easily predicted. The overall effect is a well-dressed wink from an age-old expression.
Dodie Miller-Gould, Lemonwire
Typhanie not only demonstrated how magical the voice can really be but also provided us with something very rarely experienced these days, vocal beauty.
Lori I. Huttie, Jazz in Europe
Christmas music may be great for the holiday spirit, but it doesn't always produce listenable jazz, rarely so, in fact. One remarkable exception comes in the form of singer Typhanie Monique and guitarist Neal Alger’s newest CD, "Yuletide Groove".
Yuletide Groove Press (2008), (see full review here)
